Gillette, NJ: Todd Abramson, publisher. 1978. Wraps. Black and white photo illustrated wraps. Side stapled. 8 ¼ by 11 inches. 16 pages including covers. Black and white photos throughout. Named after a song by the Dictators, Young, Fast and Scientific was a fanzine issued by Todd Abramson, covering punk, new..... More
Gillette, NJ: Todd Abramson, Publisher, 1979. Wraps. Black and white photo illustrated wraps. Side stapled. 8 ¼ by 11 inches. 32 pages including covers. Black and white photos throughout. Named after a song by the Dictators, Young, Fast and Scientific was a fanzine issued by Todd Abramson, covering rock, punk..... More
Toronto: Blah Blah Woof Woof, Publisher, 1978. Wraps. Side stapled format with a brown and green printed front cover and light blue paper in the interior. 8 ½ by 11 inches. 12 pp., including covers. Photos throughout. Rear cover a poorly reproduced photo of Blondie. A zine from Toronto Canada..... More
London: Better Badges, Publisher, 1979. Wraps. 11 ¾ by 8 ¼ inches. Side stapled format. 20 pp. Black and white photos throughout. A post-punk fanzine focusing on photography, with Anderson offering to sell individual prints featured in the zine. Also offered are tips for taking photos at gigs, with another..... More
Caulfield, Australia: AFPA, Publisher, 1954. Wraps. Illustrated wraps. 35 pp. A fanzine devoted to science fiction, fantasy and science. This issue with "Notes of Gotterdammerung," by Poul Anderson; "Scientology: the Big Brother of Dianetics," by C.E. Hurst; "The Flying Saucers are Real," by Edgar R. Jarrold, etc. VERY GOOD condition..... More
London: Alan Anger, 1977. Wraps. Single stapled format. Approximately 11 ¾ by 8 ¼ inches. 9 leaves, including covers. Black and white photos and clip art throughout. Written by Alan Anger, the vocalist for the band the Rowdies, Live Wire ran for 19 issues and offered interviews and commentary on..... More
No Place: Cardboard Criminals/Paul Belami, presumed Publisher, 1979. Wraps. Side stapled wraps, 11 ¾ by 8 ¼ inches. 17 leaves, printed on single sides only. A collection of lyrics, most written by Paul Belami, perhaps for the band Cardboard Criminals, a band that seems to defy Google searches. Probably based..... More
New York: Beat It, Rick Brown, presumed publisher. 1978. Wraps. #198 of 300. Single staple at the upper left corner. 23 pp. 8 ½ by 11 inches. Black and white photos throughout, including several full page photos and the front cover. This includes pictures of The Jam, Elvis Costello and..... More
Australia: Harry Butler, Publisher, 1980. Wraps. Side stapled format. 11 leaves, printed on single sides only. Appears to be MISSING the last leaf. Poorly reproduced clip art throughout. Approximately 11 ? by 8 ¼ inches. An issue of this influential punk fanzine from the Adelaide region of Australia, known for..... More
Australia: Harry Butler, Publisher, 1980. Wraps. Side stapled format. 8 leaves, printed on single sides only. Appears to be MISSING the last leaf. Poorly reproduced clip art throughout. Approximately 11 ? by 8 ¼ inches. An issue of this influential punk fanzine from the Adelaide region of Australia, known for..... More
Australia: Harry Butler, Publisher, 1980. Wraps. Side stapled format. 13 leaves, printed on single sides only. Poorly reproduced clip art throughout. Approximately 11 ? by 8 ¼ inches. An issue of this influential punk fanzine from the Adelaide region of Australia, known for its coverage of the hardcore punk scene..... More
Australia: Harry Butler, Publisher, 1980. Wraps. Side stapled format. 11 leaves, printed on single sides only. Poorly reproduced clip art throughout. Approximately 11 ? by 8 ¼ inches. An issue of this influential punk fanzine from the Adelaide region of Australia, known for its coverage of the hardcore punk scene..... More
Australia: Harry Butler, Publisher, 1980. Wraps. Side stapled format. 20 leaves, printed on single sides only. Poorly reproduced clip art throughout. Approximately 11 ? by 8 ¼ inches. An issue of this influential punk fanzine from the Adelaide region of Australia, known for its coverage of the hardcore punk scene..... More
Mill Valley, CA: Blue Frog Publishers, 1970. Wraps. Blue and red illustrated wraps. 11 ¼ by 8 ¼ inches. 30 pp., including covers. Printed in various color inks. Black and white photos throughout. First issue of this zine devoted to rock music, founded while in high school by noted novelist..... More
No Place: No publisher. Wraps. No publisher, place or date. Presumed San Francisco, circa 1977. 8 ½ by 11 inches. Stapled in three spots along upper edge (with a fourth staple below the right corner staple). Front cover in green and black. 13 leaves, with some printed recto only, others..... More
No Place: No publisher. Wraps. No publisher, place or date. Presumed San Francisco, circa 1977. 8 ½ by 11 inches. Stapled at the upper left corner. 15 leaves, pages printed on rectos only. Cut and paste photos and handwritten columns throughout. Possible first issue of this punk fanzine using the..... More
Reading, UK: Grinding Halt, Publisher. Wraps. no date, perhaps late 1980, early 1981. Side stapled format. 12 by 8 ½ inches. 23 numbered pages. Black and white photos and illustrations throughout. A zine offering somewhat acerbic look at the new wave and last vestiges of the punk scene, focusing primarily..... More
Eureka, CA: Desperate Egos, Publisher, 1984. Wraps. Single stapled side folded booklet. 8 leaves, printed on single sides only. A few black and white illustrations throughout. Some clip art, as well as semi-nude photos of a woman that continues to be a running theme in some future issues (perhaps the..... More
London: Chainsaw, Publisher, 1977. Wraps. Single stapled wraps. Approximately 11 ¾ by 8 ¼ inches. 12 leaves, printed on single sides only, with the exception of the last leaf (printed on both sides). Black and white photos, clip art and illustrations throughout. Third issue of 'one of the most aesthetically..... More
London: Chainsaw, Publisher, 1978. Wraps. Single stapled wraps. Approximately 11 ½ by 8 ¼ inches. 11 leaves, printed on single sides only, with the exception of the last leaf (printed on both sides). Black and white photos, clip art and illustrations throughout. Fourth issue of 'one of the most aesthetically..... More
London: Chainsaw, Publisher, 1979. Wraps. Single stapled format. Approximately 11 ¾ by 8 ¼ inches. 16 pp., including covers. Black and white photos and illustrations throughout. Slightly glossy paper stock covers, with one page on yellow stock. Ninth issue of 'one of the most aesthetically influential fanzines of the British..... More
Stevenage, UK: City Chain's, Publisher, 1977. Wraps. Side stapled wraps. 11 ¾ by 8 ½ inches. 14 pages, including covers. Black and white photos throughout. First issue of this British fanzine, for punks and by punks with commentary on the punk movement, focusing on the local scene. This issue with..... More
Nuneaton, UK: Damn Latin/Phil Clarke, Publisher. Wraps. no date, presumed 1980. Side stapled wraps. 8 ¼ by 6 inches. 20 pp. A few photos and illustrations throughout. Post punk zine from the UK, cramming well written, but short, commentary on a variety of punk, new wave and other acts. Includes..... More
Boston: Take It!, Publisher, 1980. Tabloid. Tabloid newspaper style format. Approximately 17 by 11 ½ inches. Cover art by Mark Regnier. 40 pp. Black and white photos and art throughout. Yello/Renaldo and the Loaf flexi-disc present. A Boston, Massachusetts area newspaper/fanzine covering punk, new wave and hard core acts, as..... More
San Francisco: Creep Productions, 1979. Wraps. Side stapled wraps. 8 ½ by 11 inches. 32 pp., including covers. Black and white photos throughout. Second issue of this San Francisco based punk fanzine, devoted mostly to local punk acts and the Bay Area punk scene, discussing violence, the punk scene and..... More